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"Explores the historical imagination of the late sixteenth-century Netherlandish painter Pieter Bruegel, focusing on the complex interplay of classical antiquity, local history, and art history"--Résumé de l'éditeur.
farmers [people in agriculture] --- 15e siècle-16e siècle (1re moitié). --- Histoire dans l'art. --- History in art. --- Painting, Netherlandish --- Painting, Netherlandish. --- Paysannerie. --- Paysans dans l'art. --- Peasants in art. --- Peinture de la Renaissance. --- Peinture flamande --- Bruegel, Pieter, --- Brueghel, Pieter, --- Criticism and interpretation. --- Critique et interprétation. --- 1500-1599. --- Pays-Bas. --- Bruegel, Pieter [Elder] --- Bruegel, Pieter --- Critique et interprétation.
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In this lucid account, Stephanie Porras charts the fascinating story of art in northern Europe during the Renaissance period (c.1400–1570). She explains how artists and patrons from the regions north of the Alps – the Low Countries, France, England, Germany – responded to an era of rapid political, social, economic and religious change, while redefining the status of art. Porras discusses not only paintings by artists from Jan van Eyck to Pieter Bruegel the Elder, but also sculpture, architecture, prints, metalwork, embroidery, tapestry and armour. Each chapter presents works from a roughly 20-year period and also focuses on a broad thematic issue, such as the flourishing of the print industry or the mobility of Northern artists and art works. The author traces the influence of aristocratic courts as centres of artistic production and the rise of an urban merchant class, leading to the creation of new consumers and new art products. This book offers a richly illustrated narrative that allows readers to understand the progression, variety and key conceptual developments of Northern Renaissance art.
Renaissance --- History of civilization --- Art --- anno 1400-1499 --- anno 1500-1599 --- Europe: North --- Art, Renaissance --- Art, Renaissance - Europe, Northern --- art market --- cultuurgeschiedenis
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"Examines internet virality as a critical framework for considering early modern artworks' global mobility and replication. Explores the role of artistic labor, gatekeepers, infrastructures, and social networks to reassess art's role in processes of globalization"--
Art
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art history
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globalization
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replicas
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Vos, de, Maarten
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Michael [Archangel]
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anno 1500-1799
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Art and globalization
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Art and globalization.
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Rezeption.
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Druckgrafik.
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Illustration.
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History
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Reproduction
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Copying
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Reproduction.
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Vos, Maarten de,
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Nadal, Gerónimo
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Michael
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Vos, Maarten <
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From the mid-sixteenth century, Antwerp saw an explosion of printed histories, etymological research into place names, and Netherlandish dialects, as well as the publication of Dutch dictionaries and grammars. Simultaneously, Antwerps art market saw a boom in the production of peasant scenes and the rising fame of Pieter Bruegel the Elder. In this article, I will argue that in both pictorial and textual representation, the peasant acted as a metaphoric vehicle, a type of living archaeological record and embodiment of local history, central to the production of a uniquely Netherlandish vernacular cultural identity.
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History of civilization --- eetcultuur --- book review --- Bruegel, Pieter [Elder] --- anno 1500-1599
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prints [visual works] --- iconography --- De grote vissen eten de kleine --- Vos, de, Maarten
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